A book that reads the room

A modular workshop

A typographic chair

A short book for a long film

A digital tool that produces a physical object

A documentary on the document

A biodegradable exhibition

An instructional manual for a dinner party

An experimental website for experimental architecture

A white-collar workwear capsule

A typeface the size of a building

A digital archive for a furniture-maker

A pop-up shop in a downtown deli

An extended catalog of condensed typefaces

A website that tells the time

An identity for an independent film festival

A microsite for a big personality

A title sequence for a fashion show

A wayfinding system for a public library

A long book for a short film

An installation that folds into a publication

A typographic investment in women’s sports

A clock that resists numerical order

A vinyl release for a listening bar

A cookbook for half-baked ideas

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You’ve selected a few prompts. Now tell us a bit about yourself and how you would like to collaborate. If you have a different project in mind, feel free to pitch us.

Lydia Chodosh (b. New York) is a designer and writer with an interest in language forms, narrative constructions, and epistemologies.

She has worked in publishing as both an editor and art director, designed for various art galleries and museums, and played soccer internationally.

Lydia holds an MFA from Rhode Island School of Design and teaches at Parsons School of Design. She is currently working on the visual identity for the 2026 Whitney Biennial at the Whitney Museum of American Art, and reading short-form prose.

Orlando Porras (b. California) is an identity and editorial designer with an interest in personal vernaculars, athletic fandoms, and Chicano symbol-making.

He has worked at leading design studios on campaigns, visual identities, and websites for clients in architecture, hospitality, technology, and more.

Orlando holds an MFA from Yale School of Art and has taught at University of New Haven, Yale Prison Education Initiative, and Yale School of Art. Currently, he is developing the 2027 Visual Guide for Super Bowl LXI at the National Football League (NFL).

Rebecca Wilkinson (b. Montreal) is a designer and art director with an interest in design history, tools and processes as they relate to labor and organizational structures.

She has worked internationally as a producer and art director in commercial photography. As a designer, she has produced identities and publications for interior architects, fine artists, and industrial designers.

Rebecca holds an MFA from Rhode Island School of Design, and has taught at both RISD and Parsons School of Design. She is currently art directing editorial packages for Bloomberg Businessweek, and learning how to play an analog synthesizer.

FULLSERVICE OFFICE © 2026

FULLSERVICE OFFICE (Brooklyn, NY) is a design practice that crafts identities and artifacts expressed through typographic form. The output of our work responds to and participates in a visual landscape in constant flux. Our practice is grounded in rigorous engagement with culture—we teach, publish, initiate conversations and collaborations. We offer an editorial approach that operates laterally, engaging the whole arc of a project, from its conceptual origin point to its material outcome.

The office is owned and operated by Lydia Chodosh, Orlando Porras, and Rebecca Wilkinson. Previous collaborators include Bloomberg Businessweek, Condé Nast, Human Rights Foundation, Institute of Contemporary Art (ICA) Boston, National Football League, RISD Museum, Yale School of Architecture, Walker Art Center and the Whitney. Our work has received recognition from AIGA, Dezeen, It’s Nice That, Sight Unseen, Society for Typographic Arts, The New York Times, and Tokyo Type Directors Club.